I have an exciting bit of news to share – Day Lasts Forever has won the Joseph Tusiani Italian Translation Prize for 2024-25! Below is the official announcement. The book can be ordered directly from World Poetry Books, from your local, preferably independent, bookseller or from anywhere that sells quality poetry books. An excellent review of the book by Jason Gordy Walker can be found at Asymptote. Another, by Anna Aslanyan, can be found in the Times Literary Supplement. You can read selections of Mario dell’Arco’s poetry at On the Seawall, Bad Lilies, Apple Valley Review and One Art. For Mario dell’Arco’s 120th birthday celebration at the National Library in Rome, see this post. Thank you to everyone who has supported this project! More to come!
Stand with the Haitian community in Springfield, Ohio!
Streets of Minneapolis
Bruce naming the names. This is actual patriotism, not the phony kind performed by MAGA. Honor to the heroes and victims of Minneapolis and all Americans standing up to this traitorous, un-American regime.
Journals & Quarterlies
Traduttori a Confronto – Casa delle Traduzioni, Roma
Happening today. Stop by if you’re in the neighborhood!

New work at Apple Valley Review, Shot Glass, The Shore and One Art
Here’s a little poetry update, as I have a few new poems up at some fine venues. “End of the World”, a recent translation of Mario dell’Arco’s “Fine der monno” (1947) is now up at Apple Valley Review. This is particularly significant to me, as I’ve been subbing them off and on since perhaps 2007 and this is the first time my work has been accepted.
Another poem, “Holes” – a demi-sonnet – is up at Shot Glass. If you’ve never heard of a demi-sonnet, here is the lowdown. Did I do it right?
“Dear Liz–“, an appreciation of musician Liz Phair’s album Exile in Guyville (1993) is up at The Shore. I was nineteen when that album came out and it’s one of a handful of records from my once-extensive vinyl collection to have followed me in my inter-continental wanderings.
Finally, a little political poem, “An Enemy Within” is up at One Art. One does what one can to resist the horrorshow. In any case, Do something.
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Day Lasts Forever: Selected poems of Mario dell’Arco is available from World Poetry Books.
NO KINGS!
“Dear Liz—” at the Shore
I’m extremely pleased to have a poem in the current issue of the Shore. “Dear Liz—” is a little love letter to Liz Phair’s first album, Exile in Guyville (1993). The poem was originally a shape poem, but it didn’t really work and so – after a few years and a few rounds of modifications – it settled into its current mode as a haibun. The allusion in the last lines is to the rock critic Robert Christgau, who must’ve written something memorable about the Rolling Stones that insinuated itself into the fabric of this poem.
Dear Liz—
you had me at ‘Fuck and Run’, your parched voice
like husks of sweet corn under a dying
August sun—Silver Queen, the only kind—all
sturm und twang, slight lisp betraying a shyness
undercut by your half-exposed nipple on the album
jacket. You drove us wild at nineteen, tired
of guys like ourselves running everything, screaming
their emo angst in our ears.
[read the whole poem at the Shore]
Mario dell’Arco as Architect
Mario Fagiolo – later Mario dell’Arco – was an architect by profession in the 1930s. This week I was lucky enough to be able to visit his two main contributions to 20th century architecture, both done with his colleague Mario Ridolfi. (The two would have a falling out after the war. Fagiolo would subsequently abandon architecture for literature and change his name to Dell’Arco.)
The first, below, is the Fontana dello Zodiaco (Zodiac Fountain) in Terni, which is essentially a ‘space needle’ surrounded by mosaics of the zodiac. Terni isn’t a terrible enchanting city, as far as Italy goes; it was bombed heavily during WWII as it was a major site of arms manufacturing, and the fountain was damaged as a result. After the war, it was reconstructed. The fountain dates from 1932-36, a full decade before Taja ch’è rosso! – his first collection – was published.

The second is the Post Office in Piazza Bologna (1935) in Rome. It was night when I visited, so the photo isn’t great, but you can get some idea of its modernist lines.
Architecture makes frequent appearances in Dell’Arco’s poetry, as one might expect. Even his nom de plume is a play on architecture: Dell’Arco, ‘of the Arch‘(itect). Here is one of my favorites, “Spiral Staircase”. The poem alludes to what in all probability is the spiral staircase of Bramante in St. Peter’s Basilica (below).
Day Lasts Forever: Selected Poems of Mario dell’Arco is available from World Poetry Books.
I No Longer Enjoy Social Media
I joined Facebook in 2008. During Obama’s first campaign I was involved with a group of Obama supporters in Italy, and Facebook was new and hip and a great way to organize, especially for those of us living abroad. It felt like the future, and the future – like Obama – looked liberal, open and social.
Of course, that feeling frayed gradually, and broke entirely (for me, at least) in 2016. At that point Facebook, and less so Twitter – which I had joined in 2009, ever the early adopter – had begun to seem like a bar fight, the kind of place you go to get rowdy and bust a few heads and go home with a bloody lip and a black eye. And, of course, the next day you go back for more of the same. Only, the bar never closed and those throwing the barstools were often friends and family. It seems almost insane to me now, thinking back, but arguing was model behavior on social media. We were sold the idea that it was a public square where one was to spend one’s time debating everyone in one’s path in the name of free speech and democracy. And, for a while, I did. I debated religion and atheism, Israel and Palestine, Clinton and Trump, apples and oranges. I made allies and lost friends. I lost members of my family, as well. I stopped checking in to Facebook after the 2016 election and came back reluctantly years later, though never with the same fervor or sense of ease. It was no longer a place I felt like I wanted to be, and that feeling has stayed with me.
I’ve often been one step away from simply deleting my account, as I did with my Twitter/X account a year or two ago, a step which Facebook makes deliberately hard. I’ve been kept from doing that by virtue of the fact that I am ‘in touch’ with people in my life I’d otherwise surely have lost touch with by now. This was the original selling point for Facebook – other than a way to vote on who the hottest babes on campus were – and it remains the only reason I haven’t pulled the plug yet.
In the early days, you could ‘poke’ someone to let them know you were thinking about them. It was cute. Then came the news feed, which ruined everything. I refuse to read the news on Facebook to this day, even to click a link to a news story. You used to see what people you cared about – or were at least tendentially interested in – were up to. Now all I see is AI-generated garbage, pages they want me to follow because my profile says I like the Ramones or bagels or skateboarding, advertisements and posts by people I’ve never heard of before and have no connection with. They want to up my engagement, and I want them to stop it. This is basically what’s left of the experience for me.
Even when I post something like a new poem or a blog post the level of engagement is pitifully low compared to what it was in its salad days, when engaging with friends was the actual point of Facebook. One suspects that the only way to increase engagement is to engage, meaning unless one is constantly on Facebook ‘liking’ and commenting and sharing others’ posts, the algorithm will pay little or no attention to yours. I guess they want to discourage freeloaders, but I’m no longer willing to spend the necessary time and energy required to get any benefit out of it for myself, if that is even the right word. This principle seems to be true across social media, and it’s one reason I’ve grown tired of it. It doesn’t give me back anything I value, and has become mostly an old habit: post, like, comment, repeat.
I grew up before the Internet, and was already in my thirties when social media blew up. I remember a world without this stuff, when you just stared at the ceiling if you were bored or went outside to see who was around to play with. Of course, now all those kids in the street are on Facebook and I can see photos of their kids whenever I like, which is – paradoxically – almost never. That is, I am connected to them through Facebook, though my level of interest has decreased so much that it seems just being connected to them is the whole point, seeing their names and avatars, not actually checking in with them and exchanging messages. It feels like going to a party where everyone you know is and standing by the wall the whole time with a drink. And perhaps we are all standing by the wall with our drinks, ignoring each other. What a party, right?
Ten years ago I would’ve written this as a Facebook post, or ‘note’. It might have generated some comments and discussion, perhaps even a minor skirmish. And, of course, it would’ve disappeared along with the thousand other posts and tweets which are the constant chatter of social media, all flushed immediately down the toilet of the timeline. Today, if I need to write something down to find out what I think about it, I do it here. I own the bar.









